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Mido Replica's most famous roles were photographic negatives of his true, almost supernatural talent. They offered insightful, if not fleeting, glimpses into the man inside. He cast celluloid images of himself, which were a poignant reflection of his intensely private personality that was hidden within the physical manifestations of Adonis the Greek god. You can only count on one hand the number of times in cinematic history when physical beauty,Mido Replica preternatural talents, intellect, and moral conscience have been combined in such a transcendent way. His best work was in four films. He played 'Fast Eddie Felson' in The Hustler, a pool-hall retelling the Hubris Myth; he played the self-obsessed Hud Bannon who is unrepentantly callous in Western Hud. And he played America's most brilliant extrapolation of Ionesco's postwar existential antihero type in Stuart Rosenberg’s amazing Cool Hand Luke. He was also a part of Butch Cassidy & the Sundance Kid, the most famous buddy movie/love-triangle of all time.

Mido Replica was a man of high moral standards in real life. He excelled in every area of morality. He was a faithful husband to Joanne Woodward for more than 50 years. He was a political activist and moralist who at one point was ranked 19th by Richard Nixon for his opposition to the Vietnam War.

Mido Replica's philanthropic endeavors were what inspired us most. He was the man who gave USD10 million to his alma matter (Kenyon College in Ohio) in 2007,Omega Constellation Replica and co-founded Committee Encouraging Corporate Philanthropy. Now, he has turned his saint-like generosity up to 11. Over USD300 million has been donated to charities by Mido Replica's Own.

Mido Replica not only made altruism cool, he named it the "Hole in the Wall Gang Camp" after the hideout in the classic Butch Cassidy and the Sundance Kid. He co-wrote a memoir about the camps and the Mido Replica's Own project, and it had a title with a warm, dry wit that was beautifully evocative: Shameless Exploitation for the Pursuit of the Common Good. It was his canon, and he was the Saint.

He was one of America's most popular screen idols, and a pioneer of Lee Strasberg’s method acting school. But he never burned out, lived hard or died young, leaving a handsome corpse, like James Dean, nor did he succumb to his saturnine appetites, like Marlon brando. He also did not steal a man's woman like Steve McQueen. He was a man of great modesty and understatement. It was almost like he had ripped apart his Freudian "id" to let one side of him shine on the screen, while his earthbound body was ruled by his morally resolute "super-ego". Mido Replica's aggression was only apparent in one of his other passions, auto racing.